On Wednesday morning the attention turned, as it often does, to Creative Writing (henceforth CW for short) and its place in university. Did this relate directly to reputation or was it something quite separate, an intruder in our menagerie? Jon Cook quoted Malcolm Bradbury on the unlikelihood of transforming small talent to big talent more of establishing a significant climate within which writing in general might prosper.
Lauren K Alleyne commented that institutions bestowed a kind of respectabilty in the eyes of the outside world (as for example in the eyes of her own parents). Kyoko Yoshida had done an MFA course and returned to Japan to find that people back home no idea what that meant. She did however emphasise that there existed in CW an ethical contract that agreed your writing, and desire to write, were legitimate and guaranteed that it would be taken seriously. I suggested that not only had writers always met, albeit informally and without institutions, but that before CW started it had been a matter of luck if you happened to come across senior writers willing to discuss your work in person, I also suggested that teaching was essentially intelligent conversation. Dan - whom I had in fact taught at one time - agreed but rightly pointed out the increasingly high cost of such courses.
Note: any name not linked has been linked above in the same post or in a previous post on the festival.
Next day on reputation in India and Lithuania.